via GIPHY

We start our delivery today in those apparent temples called discos.

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Until the end of the sixties, the children had well deployed their plumage in the strict intimacy of their inaccessible private guateques, but in the 70s, in the summer places to which the upper class families never went, the coasts of Levante, the hatching of the new leisure occurred.In 1967, a man named Ricardo Urgell decided to open with his brother in Sitges a place named Pachá.The beginnings were difficult, but thanks to the tourist explosion that the Mediterranean experienced at that time, ** Pachá was already a fun legend in 1970.Seville satellites or naval base shelter (Puerto de Santa María, Rota), began to follow the same example.

In the discos, class identity signs were not built with last names, but with clothing and body movements, and in those places with very high music the darkness favored confusion.The middle classes could begin to adopt forms of expression that historically had never belonged to them.This contributed that the forms of consumption that American friends had been preaching since the years of the Marshall Plan began to penetrate the Spanish economy thanks to developmentalism.

This was how under the starry sky of the summer nights the true interclassist revolution that announced the decline of Francoism began to be produced.

This new form of leisure was not the pleasure of everyone.Read how good the journalist José Manuel Acosta, in an article in the newspaper El País of that time: